More Walt Disney World Resort Stories

Windows on Main Street, U.S.A., at Disneyland Park: Sam McKim

Sam McKim, Disney artist and “master map maker,” is the creator of the Disneyland souvenir maps that were sold in Disneyland park between 1958 and 1964. His maps, known for their elaborate design, colorful print and large size, are among the most sought-after pieces of Disney memorabilia today.

Disneyland Park Map Created by Sam McKim, Courtesy of the Walt Disney Imagineering Art Library

Born in Vancouver, British Columbia, in 1924, Sam moved to Los Angeles with his family during the Great Depression. At age 10, he became a child actor under contract for Republic Studios where he worked in western serials and B-movies with many of the top stars of the day. Sam developed his drawing skills early on and once said, “I was always drawing something or other. I’d draw caricatures of the actors and they would sign them for me.”

After serving in the U.S. Army in World War II, Sam enrolled at Art Center College of Design. The day after he graduated, he was called back to the Army to serve in Korea, where he earned several medals and honors, including the Distinguished Service Cross and the Bronze Star. Upon returning to the States, he took acting roles as well as advanced art classes at the Chouinard Art Institute. Sam recalled, “John Ford offered me a supporting lead in ‘The Long Gray Line’ with Tyrone Power and Maureen O’Hara. Would you believe I turned it down to become an artist? I started at 20th Century Fox, then moved to Disney for a temp job, and didn’t leave until I retired 32 years later.”

Sam joined WED Enterprises (now Walt Disney Imagineering) as an illustrator in 1954, six months before the opening of Disneyland Resort. Among his first sketches was The Golden Horseshoe in Frontierland. He later contributed to “Great Moments with Mr. Lincoln,” Walt Disney’s Carousel of Progress, Pirates of the Caribbean and the Haunted Mansion. His early work also included storyboards for Disney films including, “Nikki, Wild Dog of the North,” “Big Red,” and “The Gnome-Mobile,” and episodes of Disney’s television series, “Zorro.”

John Hench, Disney Legend and Imagineer, once said, “Sam was the greatest to work with. He loved Disney, and his enthusiasm was always contagious. Once he got involved in anything, no matter how problematic, you always knew everything was going to be okay. If I ever needed to hear the truth about something, I always went to Sam.”

Following his retirement in 1987, Sam remained connected with WDI and Disney. In addition to appearances at Disney fan events and consulting work, his two sons, Matt and Brian, were also renowned Disney artists. In 1992, he designed the commemorative guide map for the opening of Disneyland Paris.


Sam was named a Disney Legend in 1996. That same year he was honored with a window on Main Street, U.S.A. His window, located above the Main Street Photo Supply Co., states: Cartography Masterworks – Sam McKim – Map Maker of the Kingdom – There’s Magic in the Details.

Sam passed away at the age of 79, on July 9, 2004.


  • Sam was one of the most even tempered Imagineers to work with at WED and later WDI. He never got mad and I never saw him down if a project of his wasn’t funded. I finally got to see him as a young Cornubbin or Buckaroo in a Gene Autry Western. Sam knew all about putting the right character into a cowboy hat and a hat band as I found out while working on one of his shooting gallery projects. He taught me how a hat should stain from wear and tell a story of which he had many. His Christmas card were always welcome and his script unmistakable. His and Herb’s Tom Sawyer Island maps are highly prized and I used them when doing TSI for Tokyo Disneyland.

  • Dear Mr. Storbeck,

    I am incredibly impressed with all that your Disney Imagineers do at the parks, the resorts and the cruise line. Nothing is ever without meaning or purpose, best of all it could be the tiniest detail, that no one might not take the time to notice and yet there it is.

    Who would ever think that a dining room chandelier should have glass slippers as does the one found at Royal Palace, Disney Dream or that the adornments at the end of the balustrades be Cinderella’s Glass Coach at Royal Court, Disney Fantasy. Who else would make sure that the wooden shutters hanging loosely on buildings in Liberty Square were actually done intentionally so, thus representing the time period accurately. Incredible!

    I marvelled the first time I noticed Gus and Jacques peering down at guests in the lobby of Cinderella Castle and the amusement on the faces of other guests as they noticed….I could go on and on.

    No one works harder and more diligently or with as much passion in any other company as your Disney Imagineers. Congratulations!

    Other companies should take heed.

    Best regards,

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